The first take I did as I was just warming up was the one that producer Mike Clink liked. When he heard it, he said, "That's fine.
The first take I did as I was just warming up was the one that producer Mike Clink liked. When he heard it, he said, "That's fine. I haven't even tuned my guitar yet. Let me play a REAL solo here. As the days went on and on, just knowing that solo was on there really bugged me.
So I kept bringing it up to the guys that I wanted to redo it. Everybody liked the solo that was there, so I had no allies! Eventually I wore down Mike Clink's nerves and he had me come back in and re-cut the solo, and the new solo is the one that made the record. I remember walking into the studio and wading through the miles of 2 inch tape all over the floor.
Clink said, "Check out the lyrics of this song. It's about aliens and Martians, so play something that sounds like you are coming from outer space. This was before ProTools and quantizing so you really had to nail stuff. The rhythm underneath the solo is in some crazy time signature and I managed to do something with the solo that makes the whole section sound a little less progressive and a little more eerily aggressive.
I was having a hard time nailing the fast thrashy pedaling rhythm part towards the end, so Clink gave me one of Slash's guitar picks that was lying around and then I nailed the part in one take. That Mustaine can sure come up with some killer riffs! The solo in "Poison It feels good to get one good one under your belt as you make your way through recording an album. It's got it all. It sounds worked out, but it really wasn't.
I follow all the chord changes differently, almost like a jazz player, which I definitely am not. To explain this solo technically would take a page and a half and a music professor. I'm quite pleased with this one. It was at that moment that I felt like I was truly the guitarist for this band. The song took shape in the studio. Clink was also excited about it. The main riff in "Rust
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In Lucretia, I basically took the rhythm riffs and broke them down into an easy to understand chord progression. Then I soloed over the chords as if the original riff did not exist.