Miles Davis - Miles Runs the Voodoo Down - 8/18/1970 - Tanglewood (Official)

Miles Davis - Miles Runs the Voodoo Down (1/2)

Miles Davis Back in the heyday of Demonoid, some magnificent person, or persons, unleashed a downlaodable ISO file that had been made from a quadraphonic reel to reel tape of Bitches Brew, the groundbreaking Miles Davis jazz-rock fusion album of Quad was a four channel surround sound format the record labels tried out in the s that was ultimately abandoned.

Miles Davis Back in the heyday of Demonoid, some magnificent person, or persons, unleashed a downlaodable ISO file that had been made from a quadraphonic reel to reel tape of Bitches Brew, the groundbreaking Miles Davis jazz-rock fusion album of Quad was a four channel surround sound format the record labels tried out in the s that was ultimately abandoned.

No front or back orientation. It was as if you were standing in the room when it was recorded. Not in the booth, but with the band. Gimmicky, but very cool. Every serious music fan would have to have at least some familiarity with this album. It is in the top ten best-selling jazz albums of all time, too. There is a hell of a lot going on at the same time in Bitches Brew.

There were two electric keyboard players.

Bitches Brew is a studio double album by American jazz...

Joe Zawinul was placed in the left channel of the stereo mix and Chick Corea in the right. Dave Holland played floor bass while Harvey Brooks played electric bass. The album was recorded live on eight tracks over the course of three sessions August , in New York and then extensively, even radically, manipulated in post production by producer and longtime Davis collaborator Teo Macero.

Ray Moore mixing and editing engineer quoted by Paul Tingen, author of the fascinating book Miles Beyond: Electric Explorations of Miles Davis, gives some insight into the recording: Engineer Stan Tonkel complained to me that Miles wanted John McLaughlin right next to him, which meant there was a lot of trumpet on the guitar track. Teo decided where the edits would be, and I executed them for him. Some of the edits were done on the original 8-track, others on the 2-track mix. The edits could be for musical, or for technical reasons, for example to correct levels.

When I was working with Teo in the early s on a recording of a performance by Miles in Newport in July , I was surprised to hear that Miles was actually playing an effect like that.

So he and Teo must have been talking about this effect before the recording of Bitches Brew. Sony did do jazz fans and historians a favor when they put out a fascinating box set of the sessions that followed the August Bitches Brew recording with the somewhat confusingly titled The Complete Bitches Brew Sessions.

Come the following year Miles would dump the multiple keyboard line-up and go with a more guitar-heavy jazz rock sound. Live in Rome,

Out of all the tracks on Miles Davis' Bitches Brew,...
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Recording sessions Recording sessions took place at Columbia's Studio B over the course of three days in August Davis called the musicians to the recording studio at very short notice.

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